Cheng Ran’s latest digital creation, Self-miracle (2024), is a generative artwork inspired by his epic 9-hour film In Course of the Miraculous (2015). The film premiered at the Istanbul Biennale in 2015 and received much critical acclaim. Cheng presents a 9-hour film based on three recorded events that end mysteriously as the film develops. For this special exhibition, Cheng has completely renewed his artwork by utilising experimental film imagery as its visual foundation. Through the application of algorithms and generative coding techniques, the time element in the film is deconstructed and re-generated, reverting the image back to its simplest forms, patterns and colour fields. This breaks the conventional boundaries of time, allowing each snapshot to be rearranged and regenerated to construct an entirely new temporal landscape.